Derek, I haven't seen an actual CD, but do have downloads Nazz and Nazz Nazz.   Both are great...I see (from allmusic) there is a good looking anthology out there as well.   I think you have a shot at finding it (or others) at Soundscapes or some such, given the Todd Rundgren connection.   

And yes, it's definitely time for a CD club.    I've got some new music to play.    And could use a beer.

So my much anticipated 1994 list.  Really, anyone who knows me (and I think you all qualify) will recognize a huge number of my standard (I've heard I can be a bit repetitive) gotta haves on this list.  

Pavement - Crooked Rain 

Sebadoh - Bakesale

Sloan - Twice Removed       

Hole - Live Through This

Guided by Voices - Bee Thousand

Weezer - self titled (blue)

Toad the Wet Sprocket - Dulcinea

Superchunk - Foolish

Blur - Parklife

Live - Throwing Copper

Luna - Bewitched

Beck - Mellow Gold

Nirvana - Unplugged

Green Day - Dookie

Sonic Youth - Experimental Jet Set

Sunny Day Real Estate - Diary 

Treble Charger - NC17

American Music Club - San Francisco

Len - Superstar

Tortoise (self titled)

Awesome list eh?  Really, undeniably one of the great years in rock and pop.

Problem is, 1993 is almost as good.   Maybe better.  

Nirvana - In Utero

Belly - Star

Dino Jr. - Where You Been  

Radiohead - Pablo Honey

Flaming Lips - Transmissions from the Satellite Heart (still my favourite record of theirs)

Liz Phair - Exile in Guyville

Smashing Pumpkins - Siamese Dreams

The Breeders - Last Splash

The Posies - Frosting on the Beater

Superchunk - On the Mouth

Uncle Tupelo - Anodyne

Eleventh Dream Day - El Moodio

Cracker - Kerosene Hat

Counting Crows - August and Everything After

Bad Religion - Recipe for Hate

Afghan Whigs - Gentlemen

Bloody amazing year too.   Really.   But I would tend to choose 94 based on the inclusion of Crooked Rain and Bakesale, maybe for me the two records most emblematic of the greatness of the 90's alternative rock scene.   As I write out all of these great records I still get a bit of a chill.  I remember the feeling I had at the time of being connected to the music viscerally, and yet also intellectually and profoundly.    Perhaps I knew in my heart that feeling this much of a thrill about music (one brilliant release after another) for a two year period was unlikely to last.   And to experience at the age of thirty or so was a little unexpected.   And it was probably sometime on 1997 before I realized that the magic period was over, and in a way, had been for a while.